Book Review: “Cornflakes with John Lennon” by Robert Hilburn

Cornflakes with John Lennon Robert HilburnLast month I decided I needed to get out of the house, and while on my adventure, I came across a used bookstore where I stumbled upon a copy of Cornflakes with John Lennon: And other tales from a rock ‘n’ roll life by Robert Hilburn. I kept thinking the author sounded familiar, but it wasn’t until I actually started reading and realized that he was a Los Angeles Times music critic that it occurred to me that I had seen his name while I was doing research on Jim Croce. Hilburn had reviewed a Randy Newman show in 1972 with Jim opening and had given Randy one paragraph and Jim three & a half paragraphs worth of praise. But I digress…

No reason to beat around the bush, this book rocks from beginning to end. Published in October 2009, this 270 page tribute to rock ‘n’ roll is a real page turner. Hilburn spent over 30 years as the Los Angeles Times rock critic, so he knows what the rock and roll public want and doesn’t let them down with the stories in this book. He starts off immediately with a story about John Lennon, then fills the rest of the books with personal, inside stories and encounters with the likes of Bono, Bruce Springsteen, Bob Dylan, Elton John, Johnny Cash, Waylon Jennings, Janis Joplin, Ice Cube, etc. (Hell, even I liked Bob Dylan after reading this book!) And Robert lets us get a peak into the world of Curt Cobain, or so it appears…

Robert Hilburn becomes with friends with almost every rock, country and folk star he reviews and interviews along the way, even admitting to giving them advice on their shows which he seems surprised to find they take to heart the next time they hit the stage. He gets phone calls and invitations from rock gods around the world…he had the job we all dreamed of having! There were a few hiccups along the way…George Harrison got miffed and stopped taking his calls and requests for interviews. But all-in-all, Hilburn sure makes it all sound like the ultimate joy ride for the last 3 decades.

I don’t know why I’m still talking. If you’re like me and somehow missed this book when it came out, take my advice and go to Amazon.com where you’ll find plenty of used copies for under $5 and add this book to your collection. The stories about Lennon alone are worth $2! And for that reason…

I rate this book, 4 out of 4 Beetles!

 

 

 

 

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Book Review: “The Last Days of John Lennon” by James Patterson

The Last Days of John Lennon by James Patterson The Last Days of John Lennon by James Patterson

Does that title and the author sound familiar? The title you might recognize because it’s the same as the book written by Frederic Seaman in 1991…but I’ll discuss more about him later.

The author of this book, James Patterson, is the world famous author who has written over 200 mostly fiction books since 1976 and sold in excess of 375 million copies. I’m not sure why he chose to write a book about John Lennon. Maybe because he’s a hardcore Beatle fan like the rest of us? I could probably look it up somewhere, but in the end, it’s not really important as to why he wrote this book. He’s a talented writer and maybe he just wanted to break up the monotony of writing all that fiction.

The other thing I can’t explain is why it’s taken me a month and a half to read this book. From the get-go I just couldn’t seem to get into it. You’d think with the subject matter and the author this would be a no brainer that anyone would read in one sitting. It could have been me that was the problem because I knew the ending and didn’t want to deal with reading the (bloody) details again. But, there were a couple other things that didn’t sit right with me.

This book is not the “last days” of John Lennon’s life. In fact, Patterson starts at the very beginning of the Beatles creation when John Lennon met Paul McCartney. Intermixed with the Beatles story is the story of Lennon’s killer starting 2 days before he actually shot Lennon. Maybe that’s what the title is about, but it’s not what 80% of this book is about. And for Beatles fans who know the story of their rise to fame, it’s a bit much to have to rehash the whole thing again. There really are no surprises there.

As for the story of John’s killer’s, it’s a little too detailed..to the point of wondering where Patterson got all this inside information into the killer’s psyche. There are over 90 pages of “Notes” in the back of this book, detailing the sources for every page of the book, but sometimes even the notes don’t explain some of the ‘thoughts’ Patterson includes. I have to wonder if he was slipping in some of that fiction he’s famous for into his text.

And while I’m talking about Patterson’s notes, let’s bring back the subject of Frederic Seaman and James Patterson borrowing(?) the title from his book. Coincidence? Accident? I don’t know if we’ll ever know the truth about that one, but what I can tell you is that Fred Seaman is mentioned three times in this book as having conversations with John Lennon, but not one of those conversations is sourced back to Fred’s book. For those who are heavily into the story of John Lennon, his assistant Fred Seaman, and Yoko Ono, this might leave you scratching your head. Or maybe it’s just me…

All in all, this book is really well written (as to be expected), but I think the title may be a little misleading and the content a little redundant for diehard Beatles fans, but maybe we weren’t the target audience. And for that reason…

I rate this book, 3 out of 4 Beetles!

 

 

 

 

 

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Book Review: “The Beatles Era – A Quest For The Secret of The Beatles” by Peter Eijgenhuijsen

This review is written by Amy McGrath Hughes

TheBeatlesEra_Peter Eijgenhuijsen

Dutch author Peter Eijgenhuijsen has independently published an intriguingly titled book on The Beatles. As he states, “This book is not about what happened, but about why it happened.”

In that context, I was introduced to The Beatles Era – A Quest For The Secret of The Beatles (2021). Coming from a historical standpoint, much of this book draws on familiar anecdotes and facts that Eijgenhuijsen cites thoroughly. His reasoning for this publication was a conversation with a friend who made a point of dissecting the band’s career into several distinct sections, which is analyzed in detail in these pages.

Most of the publication is taken with the discussion of how the band revolved around these sections/eras. There are several chronological off-shoots that Eijgenhuijsen heads down and that makes for a somewhat disjointed rendering. The tone is skewed with personal recollections that have a more European slant (and granted, it is coming from his upbringing in the Netherlands), which doesn’t get a lot of attention in say, a global Beatles biography.

While I found this aspect interesting, what I have come away with would be more suited as a ‘primer’ in Beatles lore. While he is very thorough in speaking to his personal likes of particular songs or periods in any given point in their history (which does include the solo years), I would have expected more factual passages instead of a re-tread of well-known stories.

Two entries that felt off-kilter were the introduction of a fictional interview (where The Beatles had not made the impact they did) and another conversational story spinning in an alternate universe Beatles. While well-written, I honestly felt it didn’t have a place within the context of this book.

One standout chapter however holds some weight: The Reduced Solo Years. Here Eijgenhuijsen takes on each Beatle in more recent times (with Lennon referenced since 1980 by the other three). Being able to ascertain each of the three’s ‘later’ musical contributions is always a tricky outing in any Beatles landscape: comparisons are inevitable. But I appreciated Eijgenhuijsen’s dive into Harrison/McCartney/Starr releases/collaborations that critique releases right up the present day. I admit: it’s tough in an epilogue to sum up ‘McCartney III’ so that a reader understands it’s place in history. But he gives it the best summations for a generation that may not be familiar with say, ‘Chaos and Creation In The Backyard.’

‘The Beatles Era’ is certainly not a hefty tome and I would likely recommend this to someone who would want a brief read-through with a sprinkling of symbolistic fandom. I definitely think that Eijgenhuijsen could have a second career in the fictionalized world of The Beatles… perhaps that will be a second book! In the meantime…

I will give this book 3 out of 4 beetles.

 

 

 

 

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Guest Album Review: “Blackbird: Lennon-McCartney Icons” by Marilyn McCoo & Billy Davis, Jr.

Another excellent review from Amy McGrath Hughes:

McCoo Davis BlackbirdThis album is available for pre-order from EE1/BMG and will be released April 30, 2021.

There is no small coincidence in my mind about what went down in Minneapolis on April 20 and hearing the beautiful voice of Marilyn McCoo singing The Beatles “Blackbird” in a way only she can – uplifting and soulful – to see how timely and timeless the band’s music has always been.

With husband Billy Davis, Jr., this dynamic duo is back (and really, were they ever far away?) releasing a collection of Lennon & McCartney covers entitled Blackbird: Lennon-McCartney Icons. Way past what they both acknowledge to be relevant inspiration in today’s music culture, it really should come as no surprise that these legendary vocalists have truly risen above any sort of categorization and are in a class all by themselves.

I can say without question that the choice of songs is point on with their history and perspective in the entertainment industry. Having risen to fame in The 5Th Dimension in the late ‘60s and then going onto a stellar career in show business (breaking barriers for hosting their own variety show in the ‘70s), one can only say bravo for them reappearing with the collective voice their audience has never lost touch with.

With the songs that appear on Blackbird, it’s the vocal arrangements (and classy orchestration) that give this album its standout appeal. Both McCoo and Davis are in stellar form with the chosen material and are masters of interpretation with these well-known compositions. To be honest, any remake of a Lennon-McCartney song has got to be solid and believable for it to be worthwhile. McCoo & Davis’ tribute give the meaning and message more than enough power to sustain an entire collection.

While “Blackbird” the song has always held poignant historical weight, I appreciated the choices brought here: Davis’ laidback vocal in “Ticket To Ride” has just the right amount of jazzy inflection and fierce reading to render the original unrecognizable. McCoo’s smoky phrasing for “The Long and Winding Road” and her syncopated reading of “Yesterday” are the gifts that keep on giving. Meanwhile Davis’ powerful rendition of “Help!” literally gave me goosebumps with his gospel, throaty vocal rising to the occasion; it leaves you with one of those head-shaking moments wondering “where did THAT come from?”

Lennon and McCartney also each get a solo tribute: the duet are tender on Lennon’s “(Just Like) Starting Over” while Davis rips up (are you ready for this?) McCartney’s “Silly Love Songs.” Yes, you read that right. He hits the right amount of high melody that McCartney could only be dreaming of these days. And it’s to Davis’ credit he can do it justice.

Of course, their duet “And I Love Her” is magical. However what shows off the best range of their chemistry are the tunes tailor-made for their vocal give-and-take: “Got To Get You Into My Life” (featuring saxophonist Yancyy) and “The Fool On The Hill” (sharing a guest vocal with Natalie Hanna Mendoza) are highlights that remind you: keep on listening to this album or you are definitely going to be missing out on something special.

Producer Nic Mendoza has perfectly captured two unmistakable vocalists still in their prime. The social injustices we continue to endure and the over-arching messages of remembrance here are undeniably powerful and personal for both McCoo & Davis. Collectively, they have overcome obstacles once thought unthinkable and for all that this amazing collection has to offer to today’s music generation…

I give this album 4 out of 4 beetles!

 

 

 

 

 

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Guest Book Review: “Fab Fools” by Jem Roberts

Thank you Amy McGrath Hughes for taking the time to write another fine book review…

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Fab Fools by Jem RobertsThis book is available to pre-order and will be released April 29, 2021.

Right off the top, let me remind everyone that the Beatles were British. From the north of England. With a very different sense of humor.

Plunging into the long-awaited Fab Fools (Candy Jar Books, 2020), I was immediately struck with what can only be described as a ‘new’ take on The Beatles. The term ‘comedians’ doesn’t pop up with regularity when describing their contribution to entertainment, but that is precisely what author Jem Roberts intends to rectify. And I must say, he’s done a very convincing job.

But let me backtrack a bit here: there is a lot of story to cover when going thru the history of The Beatles (hello, Mark Lewisohn). What Roberts has undertaken is an entirely different approach: within the context of their lives, he has placed the band in line with numerous examples (in studious detail) of how their wit and witticisms served them not only during the early years of moptop giddiness and awkward ‘comic’ appearances but gave them a voice – collective and solo – in shaping their character, their travels and their ability to find the silliness in almost every conceivable situation.

(I want to briefly interject that what is referenced in this granular study is heavily reliant on understanding British humor and British comic ancestry. While a casual Beatle fan may know names such as Peter Sellers and Dudley Moore, a more thoroughly invested fan will no doubt appreciate the intricacies of English show biz as Roberts gives over to the voices that shaped ‘Beyond The Fringe,’ the Temperance Seven and the very early noises of members of Monty Python.)

Roberts’ right reading of their producer George Martin (who had his pulse on British comedy long before he began his tenure with The Beatles) is another eye-opener for those only familiar with his steadfast, laidback approach and laconic observations. His ability to not only see the group from a musical perspective but be able to stand back and appreciate their shared humor (see numerous outtakes from any session at EMI Studios), was of course solidified for history when George Harrison responded with the legendary “Well for a start, I don’t like your tie,” in answer to Martin asking if there was anything they didn’t like at their very first recording session.

One must also recall from this far in the future that The Beatles were breaking new ground. As has been said many times, they were making it up as they went along and for the most part, their in-jokes become part of their DNA repartee. One of the first large scale exhibitions (and here we’re treading into the quicksand of 21st century PC-ness) was John Lennon’s ‘cripple’ impersonations. I’m fairly certain that anyone who has seen his claw-hands, tongue-pushing-out-bottom-lip, flailing foot-stomping renditions from the stage (and a few skewered passages from ‘In His Own Write’) knows exactly what I’m talking about. While there is no fair excuse today, suffice to say this was what humor was about back then and farther back to his childhood. And it did indeed become shouted shorthand when they wanted any loathsome individual out of their dressing rooms during the height of Beatlemania: “Crips, Mal!”

If you’re asking how deep can Roberts go and in what direction did comedy take them: the answers are numerous. He ruminates on everything from the band’s early Morecambe & Wise UK appearances, to winning over ‘serious’ journalists in the burgeoning London newspaper scene known as ‘music reporting,’ to ‘Big Night Out,’ ‘Juke Box Jury’ and of course (for those in the know) the king of Scouse humor, Ken Dodd.

As The Beatles moved on to the world at large, so did their witty style in winning over… everybody outside Britain. The JFK press conference, the multi-year Christmas flexi-disc for fan club members, more press conferences and then – ultimately – the highest tribute: a Saturday morning cartoon. Detested (and protested), this indignation to their respective images actually helped launch one of the best-known pieces of (apparent) Liverpool humor: 1968’s ‘Yellow Submarine.’

While not an outright obvious, ‘Yellow Submarine’’s dialogue was brought more into the forefront of in-jokes and Scouse dialect by The Scaffold’s Roger McGough. Being a native Liverpudlian (and 1/3 of the heralded comedy troop with John Gorman and Paul’s brother Mike), the film – with its tale of The Beatles thwarting Blue Meanies in their travels to Pepperland – was filled with the uncredited contributions of McGough, including the oft-used rhyme-y “de do doe don’t de doe?” The Beatles themselves however only appeared in a slightly stilted live epilogue, though none the worse for wear.

While there are several avenues that branch off into the solo years, a large portion of the book has Roberts espousing on the birth of Monty Python – via ‘Magical Mystery Tour’ – and into the 70s with the ultimate tribute/pastiche – The Rutles.

The brainchild of Python’s Eric Idle, the real and long-lasting prankster was ad hoc Python Neil Innes. Innes supplied the music to Idle’s first scripted shorts for the faux group known as the ‘Pre-Fab Four.’ What began as a rudimentary trip down memory lane with a few ‘laffs’ and spot-on impersonations, grew once Idle expanded his vision and Innes formed a band to make the mockumentary what it has become today: a not-serious/hysterical/musical/legendarily quotable/believable/alternate world known as The Rutles. After the 1978 film ‘All You Need Is Cash’ (which tanked in the US despite the inclusion of several ‘Saturday Night Live’ cast members and the heavily disguised cameo of George Harrison), The Rutles took on a life of its’ own. Suffice to say, if you believed in a Beatles afterlife, Innes was your crossing guard into that world. Sadly, he passed in December 2019.

As the book moves to its conclusion (with fascinating passages ranging from Starr’s Mr. Conductor persona in ‘Shining Time Station’ to McCartney’s ill-advised foray into film via ‘Give My Regards To Broad Street,’ Harrison’s work in HandMade Films and Lennon’s last few interviews talking up ‘Fawlty Towers’), The Beatles and the people and industry they inspired along the way is nothing short of fascinating. The education one can absorb from Roberts’ tome and lyrical style of writing is reader-worthy.

For everything above and more, I give this book 4 out of 4 beetles!

 

 

 

 

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Book Review: “After Abbey Road: The Solo Hits of The Beatles” by Gary Fearon

I’ve been a little slow these days in getting my books reviewed. Once again, it’s not because I’m not reading. It’s just that I’m mixing in Beatles books with other books as you may have noticed from my last several posts.

I bought this book a little over a month ago and it’s been sitting on the stack of books next to the couch waiting for me to post my praises of it to my audience. Well, today is the day…

After Abbey Road: The Solo Hits of The Beatles by Gary Fearon was published on May 18, 2020. It’s a 240 page reference guide to all the hit songs that were released by the individual members of the Beatles after their breakup in 1970. There are a couple songs that predate the break-up, but you get the gist. There are 220 songs in all up until the November 2019 release of In A Hurry by Paul McCartney.

There are several things I really love about this book. The first being that Fearon lists all the songs in the table of contents in the front of the book. The second thing I love about this book is that the song titles are in chronological order according to their date of release. And last, but not least, is that Fearon is very brief but concise about the history and meaning of each song limiting them to one page that includes: title, which Beatles recorded it, written by, recording date, release date and title of the album it appeared on. Also listed at the bottom of each page are the other musicians who played on the song.

This isn’t a book that you would sit down to read cover to cover (unless you’re caught in lockdown during a pandemic), but it is a great reference book that I think every true Beatles fan should have on their shelf! And for that reason…

I rate this book, 4 out of 4 Beetles!

 

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NEW! I Saw The Beatles – Episode 29 with guest Richard Adler 

Welcome back to Episode 29 of I Saw The Beatles! This week’s special guest is Richard Adler who had the pleasure of his first concert experience being that of seeing the Beatles perform at Carnegie Hall! But that wasn’t all…he went on to see them 3 more times!

Source: I Saw The Beatles – Episode 29 with Richard Adler 03/29 by I Saw The Beatles | Pop Culture

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Guest Book Review: “Joy and Fear: The Beatles, Chicago and The 1960s” by John F. Lyons

Joy and Fear The Beatles Chicago The 1960s John F Lyons

This guest review was written by Amy Hughs.

As a die-hard Beatles fan, I know pretty much a ton of their backstory on a global scale. What I appreciated about author John F. Lyons’ newly published ‘Joy and Fear: The Beatles, Chicago and the 1960s’ (Permuted Press, 2021) were the personal reminiscences of those in the Chicagoland area during the time period they played there in 1964, ’65 and ’66.

While there is a good deal of time spent analyzing their impact on culture and the media across the globe, the more insightful passages are those that detail the incidents and people that surrounded the band’s performances. On September 5, 1964, they played the International Amphitheater to a screaming throng of 15,000. From Lyons’ colorful descriptions of their landing at Midway Airport, driving to the Sahara Inn at O’Hara, their standard set amidst the chaos and their immediate departure thereafter, one would believe that the band was not a welcome sight for those in charge. And to a large degree, that was the truth. Chicago and it’s staunch Midwest Christian beliefs, coupled with an older political generation – held in check by the legendary Mayor Richard J. Daley – kept The Beatles at arms’ length. So far at length that Lyons’ recollections via newspaper and media outlets’ reviews seemed confusingly hostile in hindsight.

Lyons goes on to accurately portray that all-too-real generational gap between teens and their elders. He does pepper throughout various chapters revelatory passages on the negative atmosphere in Chicago towards The Beatles. The joyous occasions that one perceives today in regards to the band’s receptions in the US is juxtaposed with hardline beliefs that The Beatles were to be viewed with disdain and be shown the door as quickly as they entered. Surprisingly, a good portion of these chapters reflect the audience that they were targeting: young females who were the objects of their affection.

1965 was by all Beatle-related accounts, a repeat of the previous year. Live performances for the US tour were scaled back in scope, however Chicago was fortunate to host them again, this time at a much larger outdoor venue – White Sox Park – with 2 shows and a combined audience of 62,000. One of the more amusing and detailed accounts in Lyons’ book are the reminisces of the support acts for the tour, including dancer Denise Mourges (who was part of the Discotheque Dancers with the King Curtis Band) and Sounds Incorporated’s Alan Holmes. However once again the prevalent attitudes – despite accounts of Beatlemania being at fever pitch – were now slipping south.

Although the ‘scene’ was in their favor (and city officials and promoters had gotten hipper in allowing the local DJs from WLS radio to be emcees), the prevailing attitude of negativity continued to spiral downward. However prior to the coverage of the 1966 tour, Lyons does spend a good deal of time focused on the Chicagoland groups that were making names for themselves locally: the New Colony Six, the Shadows of Knight, the Amboy Dukes, the Buckinghams, and all-girl groups including Daughters of Eve and Marie Antoinette & The Cool Heads.

1966 brings The Beatles back to the US and the start of their tour in Chicago. But prior to their August 11 arrival, Lennon’s out-of-context remarks on the group’s popularity eclipsing Jesus Christ had taken hold of media outlets. Chicago became the epicenter of the firestorm, with Lennon (in tears before the press conference) apologizing in every form possible to the assembled gathering at the Astor Tower Hotel. The Chicago press were going for blood, found it and trumpeted it. The numbers only proved in lax ticket sales that their time and popularity were waning, despite the two show outings back at the International Amphitheater. As Lyons writes, the last visit left a mixed impression, mostly conjuring up images of the stockyards, hotels and cars and as George Harrison noted “race riots.”

Whether Harrison’s view was accurate, Chicago’s atmosphere was becoming more politically charged. While Lyons goes on to analyze The Beatles’ influence with the release of ‘Sgt. Pepper,’ it’s worth observing that the group’s influence still had a global stronghold, pop culture-wise, as noted in Chicago with the start-up counterculture newspaper The Seed. Lyons devotes several pages to other timely subjects: free love, drugs, psychedelia and then as 1968 comes into play, transcendental meditation and the arrival of Yoko Ono.

The decline of their popularity thru the remainder of the late sixties (with the assassinations of both Martin Luther King, Jr. and Robert Kennedy), the Manson murders and of course for this book, the Democratic National Convention is recalled vividly with anecdotes from Chicagoland teens, media outlets and political observers. The volatile atmosphere – partially charged by Mayor Daley and his conservative viewpoints – was not without incident for those in the music business. Venues such as The Kinetic Playground (a popular target of police activity) did their best to give the city notoriety – and as the owners of Head Imports discovered, when they were arrested on obscenity charges for selling ‘Two Virgins’ – Chicago and The Beatles were not on the best speaking terms.

Lyons goes on to chronicle their break-up and gives mention to the post-Beatles visits in Chicago, most shockingly how a frozen Lake Michigan influenced Yoko Ono’s ‘Walking On Thin Ice’ (the last recording of John Lennon) and McCartney’s several shows since 1976. Lyons gives a great overview of the time period covered and Chicago in detail. His global Beatles history (while known to someone who has details galore would find more of a retread), I found to be helpful for those who need a refresh to contextualize the time period. For these reasons and more…

I rate this book 4 out of 4 beetles!

 

 

 

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More off-topic book reviews: The Handmaid’s Tale and F. Scott Fitzgerald

Yeah, I’m a little behind…The Handmaid’s Tale by Margaret Atwood was published in February 1986! I had downloaded this book to my iPad over a year ago because I so desperately wanted to understand what all the hubbub was about (several women were dressed as handmaid’s at the Women’s March in Washington when I attended in 2020) and I wanted to watch the series on TV (but I’m a stickler about reading the book first). And it’s not like I don’t have many other books to read as you may have noticed by my last post…and the pile of unread books has only gotten higher with more books arriving tomorrow. Phew!

So, back to the review. Everyone who’s read this blog knows I don’t care for eBooks. I like the actually paper pages in my hands and the ability to use anything I want as a bookmark, so that may have contributed to this unread book being on my iPad for over a year. But the itch to watch the tv series arose again, so I tried for a third time to read it. This time it stuck and once I got a few pages in, this book was simply amazing! I was 21 years old when it was released and am truly surprised at how I had never heard of it until the last 5 years. I couldn’t put it down…and kudos to Ms. Atwood for the unique way she ended it. But as it turns out, Atwood has been hounded over the decades about what happened to her main character, Offred, and the Republic of Gilead, where women are very much controlled and used as baby factories. And I too was left wanting after tearing through this 300+ page book in 2 days. So, what did I do? I logged into my local library’s website and download book 2 in the series – The Testaments. This 381 page book was published in September 2019 and was Atwood’s way of answering all the questions she had been asked over the decades about what became of the characters and their republic. Not quite as enthralling as Handmaid’s Tale, and the writing is lacking the certain umph, but that could be attributed to the fact that this book is in three separate voices belonging to other characters from the first book as they tell their own tales of living in Gilead. Still…zipped through it in 2 days!

I rate The Handmaid’s Tale 4 out of 4 Beetles!

I rate The Testaments 3 out of 4 Beetles!

I have no idea when I got in the habit of trying to read more than one book at a time, but I’ve been skimming through F. Scott Fitzgerald: A Life in Letters for months now. I decided I needed to clear some books off my end table so I set out to finish this off this week. My interest in this book was aroused while I was reading the series The Letters of Ernest Hemingway which currently stands at 4 volumes in length with more books to come. It’s disappointing that Fitzgerald’s letters fit into one 500 page book. Still, it was great to get into his mind beyond the stories he’s written and see the workings of a trouble man who fought for the people he loved, could never seem to get out of debt and died a tragic death at the age of 42. Like Hemingway, it brings the author into a whole new light away from the rumors of drinking and carousing that we’ve all heard and were taught in high school. I just wish this book had been more complete. I may have to find a biography or two on Scott and Zelda to help me fill in some blanks left by this book. And for that reason…

I rate this book – 3 out of 4 Beetles!

**You may be happy to hear that I, personally, will be returning to reading Beatles related books, but in the meantime, expect another Guest review of a new Beatles book sometime this week.

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(Virtual) Fab4Con Jam – Feb. 20 & 21

 

If you are in need of some entertainment this snowy, cold weekend, checkout the virtual Fab4Con Jam. They said ticket sales ended last night, but I was still able to buy a basic $35 ticket to join in the festivities tomorrow.

 

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