Tag Archives: beatlesque

November 6, 2016 · 7:00 am

Ladies and Gentlemen…The Weeklings!

weeklings-studio-2-cover

I thought I was doing a favor for a fellow publicist, but little did I know that she was doing me a huge favor! Thank you, Maureen, for introducing me to the music of The Weeklings.

Maureen asked me a couple months ago if I would be interested in doing an article on my Beatles Freak Review page about the new band she is repping. She explained that their new album, Studio 2, was named after the studio at Abbey Road where the Beatles did all their recording, AND that her band, The Weeklings, had recorded this new album (their second album) there.

I was sent a preview copy of The Weeklings: Studio 2, and I couldn’t have been more pleasantly surprised. Slipped it into the CD player in my car and immediately wanted to start dancing. This album not only takes you back to the 60’s with it’s hand-claps and harmonica riffs, it does it in a new millennium style…STEREO! Add to that, that the last four cuts on this original album are the bands renditions of four very rare McCartney/Lennon songs, brought back to life for us old rockers and modernized for the new rockers. The album will be released on November 18, 2016, but you can listen to clips of the Studio 2 on Amazon and pre-order a copy for yourself.

The Weeklings are: Lefty (Glen Burtnik), Zeek (Bob Burger), Rocky (John Merjave), and Smokestack (Joe Bellia).lefty-zeek-rocky-smokestack

The Weeklings‘ CD release party and concert will be held on Friday, November 11, 2016 at the House of Independents in Asbury Park, NJ. You can get more information and tickets here. I’m really hoping to make this show myself. This is definitely a band I want to get up and dance to…

I decided to email some questions off to the band in hopes of getting more background information to write this post. As it turned out, both Zeek and Lefty decided to take on my questions and what ensued was so witty and charming, I decided to post the interview verbatim! So here it is, folks…The Weeklings!

1. Explain the name “The Weeklings”.  Not a very strong name…

From time to time many people ask what are Weeklings? Why Weeklings? Ugh, Weeklings, how did the name arrive? So we will tell you. It came in a vision – a man appeared on a flaming pizza and said unto them ‘From this day on you are THE Weeklings with an ‘E’. An alternate theory is that not a Week goes by that the band doesn’t write, record or perform their music. –ZW
 
Zeek is lying. I think it’s pretty obvious from our Hulk-like appearances that we met at the gym. At the beach really, in Venice Beach in California, where we were all four working out. We thought it’d be funny, calling ourselves The Weaklings, since we are such buff, pumped up wham-a-jamas. But we are bad at spelling. So, we hadn’t realized we spelled our name wrong until the first record was already out. So we stuck with it. We thought about changing it to The Weeklongs, The Zeeklings, The Wing Dings and The Changelings, but we kept changing our minds and figured it’s easier to just go with the flow, ya know. – LW
 
2. There’s a lot of rock n roll history in your member’s roots. How did you all manage to all come together to form this band?
 
Lefty and Zeek have been a song writing team for many years.  The members of the band also worked together for years in different situations, including the Glen Burtnik ‘BeatleBash’ shows.  At one point we did a show of all very early Beatle material and discovered how great it was to perform that music as a simple quartet.  We then did several quartet shows and the band just fell together. – ZW
 
I can’t believe what a liar Zeek is. The true story is Rocky & Smokestack met at a convention for Supercomputing engineers (hackers really). Smokestack, being a software engineer at Intelligent Medical Objects and Rocky being a graphics programmer for Android development at Talas Analytics, Inc, they paired up, first recognizing each other as competitors but eventually getting to like each other’s arm wrestling finesse. In time this led to rock music, as it does, and they found both Zeek and Lefty strung out in a bar of ill repute. – LW
 
3. How long have you been together? And where is your band based?
 
2+ years now.  We are based in Asbury Park, NJ. – ZW
 
Wrong. We’ve been together since 1956 and are based in Sofia, Bulgaria. I cannot believe Zeek’s insistence on misrepresenting the facts! – LW
 
4. Your website refers to you as “a Beatles inspired power pop”.  According to your history, two out of four of your members have actually played with Paul McCartney and your bass player has played Paul McCartney on Broadway. Any other brushes with the Fab Four you’d like to mention?
 
Lefty also met both McCartney and Ringo.  We also connected with Ken Scott and Alan Parsons (both were engineers on Beatle sessions), as advisor before recording at Abbey Road. – ZW
 
Finally, Zeek makes some sense. Rocky’s played with Billy Preston & Klaus Voorman. Pretty much everyone’s played with Denny Laine. There are lots of über talented Beatle-affiliated cats around which Rocky & I have musically crossed swords with. Steve Holley, Denny Seiwell, Laurence Juber, Joey Molland, Father MacKenzie, Lovely Rita, etc. – LW
 
5. Listening to your first album, released in March 2015, is like stepping back in time… as if listening to a transistor radio in the 1960’s! Are all the songs originals by The Weeklings?
 
No, but we’re glad you asked.  Six songs are original, and six are Lennon/McCartney/Harrison songs that were not released by the Beatles.  Our goal was to mix the material together to create the excitement of an early Beatle recording. – ZW
 
Zeek’s right for once, as much as I hate to admit it. – LW
 
6. You’ve got a new album coming out called “Studio 2”, named after the now famous studio at Abbey Road where the Beatles did most of their recording. Where did you come up with idea to go to London and record there? Is there a Beatles vibe being in that studio?
 
It was Lefty’s bucket list idea to record at Abbey Road.  But it made sense, since we recorded several more very rare Lennon/McCartney/Harrison songs, that to our knowledge have never been covered.  What more appropriate studio could there be to do that?  There is a distinct Beatles vibe to being in the real Studio 2.  You could hear the sound of the records just being there, and we were constantly pinching ourselves.  Hopefully, you’ll hear it on our “Studio 2” record. – ZW
 
It was Zeek’s idea. –LW
 
7. The new album will contain four rare Lennon/McCartney tracks. How did you discover these tunes?
 
“Because I Know You Love Me So” – is from an off-the-cuff demo sung by Lennon and McCartney that appears on the Let It Be “Fly On The Wall” album.  We liked it and decided to write an arrangement. “You Must Write” and “Some Days” – these are taken from a 1960s Beatles rehearsal tape recorded by McCartney.  We became aware of this tape via Mark Lewison’s book (“Tune In”), where the original songs were mentioned.  The tape was actually previously released on CD but is now out of print.  We found the songs by trolling YouTube. 
“Love Of The Loved” – this is really not so “rare”.  It was recorded by Cilla Black and was a minor hit in the UK.  It is known to most Beatle freaks.  Our arrangement of course is very different from the original Cilla Black version. – ZW
 
What Zeek said. – LW
 
8. While recording in London, did you get the opportunity to play in any clubs? Or have you played in the U.K. prior to this trip?
 
We didn’t play any clubs (no time!).  The individual members have played in the UK, but not The Weeklings as a band. – ZW
 
We DRANK in the pubs, but didn’t play music in any, as we were too intoxicated. – LW
 
9. Will there be any touring to support the new album?
 
As much as possible.  We are currently planning our 2017 schedule to support the album. – ZW
 
I plan on touring local condos and other available dwellings in the next year. Yes, there’ll be much touring ensued and libations imbibed. – LW
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October 16, 2016 · 7:00 am

Ladies and Gentlemen…The Vals!

Maybe it’s just us Baby Boomers who are complaining, but where have all the good bands gone? What happened to the days when band members sat in studio corners and tour buses hashing out lyrics and cords for their next big hit? What happen to bands even playing their own instruments, singing their own songs and not relying on synthesized drums and auto-tune?

We were spoiled when the Beatles hit the scene and set the music industry straight when they insisted they write and sing their own songs! But somewhere in the past 50 years, this doesn’t seem that important to the people running the industry. Low costs and big profits are what they want. Let the fans download the songs…it saves them the cost of producing vinyl and CDs.

Add to all this the articles that have been put out over the past decade about the lack of good, quality opening acts for the touring rock bands. Even Ringo Starr has taken up the cause recently for smaller local bands, saying how the industry has made them actually pay to be an opening act (read the article here).

And who do I blame for this mess and lack of new talent? The media! Yes, the reporters who write about music…the Gillian Gaars, Matt Wilkinsons, Mikal Gilmores and Anthony DeCurtis‘ of the world! Where’s the beef, fellas? And I can’t leave myself out of this mess. As a blogger, I too have the power to introduce the world to new talent….

And on that note, I’m stepping up. Let me introduce you to The Vals with their “unashamed take on 60’s pop” and “comparisons to the days of Lennon, McCartney, Davies and Townsend”.

I was turned onto The Vals (from Belfast, Ireland) several years ago by Pat Matthews, owner of the internet radio station Beatlesarama!!! For readers who have been loyal followers of my blog since the beginning, I’m sure you remember me mentioning this band in the past. Two albums later, I still have hope that they will make their break into the U.S. market and bring with them the hope and inspiration that there are still bands out there with real talent, who write their own music, sing their own songs and play their own instruments! Bands like The Vals are our hope for the future of music…

I would have loved to have Skyped my interview with leader singer/songwriter Paul Doherty, but I don’t have a voice for radio. I’m going to leave the live interview to May Pang and Cynthia Neilson when the interview Paul on their show Dinner Specials with May Pang on Monday, October 17, 2016 at Noon (EDT).

Until then, here’s a short warm up interview as I ask Paul about The Vals’ history and their music…Enjoy! (Where it was possible, I linked songs to their respective videos that will open in a new window when you click on them). And check them out on iTunes.

 

1. The Vals website says there have been many changes in the group before it became the line-up that we see today. Can you tell us a little about the history of the group and about the name “The Vals”?
I suppose The Vals is my baby really. I have been writing songs for around 10 years and have been expressing these in a band format with friends for many years now. There have been lots of line-up changes. 25 in fact in the last number of years. I guess this is down to a number of things. With me writing the songs and music it can sometimes not be as rewarding for some musicians to play in terms of creativity or a lot of the times it might be too demanding. Sometimes also the style of music changes for an album maybe and it requires additional musicians or less. I have been very lucky to share the stage with some great musicians and continue to do so with the great band we have at the minute. Myself, Matt, Conor, Barry and Gavin have been playing some great shows of late and really nailing the sound that for years we found so hard to capture. Every show we play is like a really great night out and that’s how it should always be I think.The name of the band came from a friend of mine at a time when we were throwing ridiculous names around. One of the guys came up with ‘The Lords of Rhythm’ one day, that’s when I began to worry haha. I liked The Vals because it kind of harks back to a 60’s type band name in my mind.

 

2. There’s no denying the heavy Beatles sound in your music. When did the Beatles become such a huge influence on your sound? And are all the members of the band Beatles’ fans?
It’s funny, I love the Beatles but when writing songs I don’t think about them at all. I think influences just flow out when songs are born and in my case some of my biggest influences are The Beatles and a lot of the songwriters around at that time. I also like making music that appeals to me. When recording songs I like to incorporate lots of Meletron, stringed instruments even some traditional Indian music which can all be referred back to the fab 4. Vocally I do go for the whole John Lennon vibe, but that is for 2 reasons really. One is the love of Lennon’s voice and how it stands out in tracks, I loved that. When I was just a kid I remember his voice drawing me into music on the radio one day, then I heard it again and the more I did the more curious I got about who the Beatles were. That’s where the love affair began!Secondly I use double tracking quite a lot because I’m not a particularly good singer. When we started out as a band no one wanted to sing so I was kind of forced into it with the intention that someone would come along and take over once we found someone. That hasn’t happened yet as you can tell! ha.All recordings are done in my little home studio, nothing flashy, just a little room out the back of my house. I have a special piece of equipment though in the studio which is a varispeed unit from Tittenhurst Park (John Lennon’s old home). This unit would speed tracks up when recording and was there when he recorded Imagine. It was later left for Ringo when he bought the house from John in the mid 70s. It’s really special having that in the room when I record.All the other guys are Beatles fans, some more than others. Some rehearsals are either filled with lengthy discussions about The Beatles recording or song writing techniques while others have us playing Beatles songs at length. For our upcoming tour we have added a special version of Strawberry Fields to the set!

 

3. In 2008, you organized Valfest in Belfast as a “Peace and Love music festival”. It attracted the attention of Yoko Ono, who sent you a personal note. How did she find out about your festival and have you had any further contact with her? Have you been able to share your music with her?
I have been very lucky to have some correspondence with Yoko, all through the wonders of the internet. When I organised the festival a few years back we had some great people on board. We had Henry McCullough who was with Paul McCartney and Wings plus we had Eric Bell who was a founding member of Irish band Thin Lizzy. Word just spread on the internet which was incredible and there was a message one day from Yoko. To say it was a surprise was an understatement. It came at a time where I was having a difficult time securing the venue etc and it was causing a lot of stress. Yoko’s kind words gave me a real lift and from then on everything just flowed and it was a very successful night in terms of money raised for the chosen charity and also the response we got from people attending. I would love to have another someday soon!

 

4. The first track on your amazing first LP (Sticks and Stones) is titled “Too Many People”, the same name as a popular McCartney tune from his Ram album. Coincidence?
I discovered RAM very late and got a surprise when I saw this title. No one ever believes me though ha. I really love this song now but it didn’t have any influence on our track. This is one of the McCartney songs that could have slotted onto a great Beatles record in my opinion. Love it!The Sticks and Stones album kind of has that whole live jibe about it as we recorded the whole thing in 3 days in Germany. I remember I kept saying if the Beatles can do it in a day we can do it in 3!

 

5. Have The Vals had the honor of playing Liverpool’s Cavern Club? If so, when? And tell us what it was like?
Yes we have, many years ago. Twice actually in 2006 and in 2007.  It was a fantastic experience. We took everything in and really embraced all aspects of the Beatles story while in Liverpool. It’s great being in a place steeped with so much history and full of likeminded people who love The Beatles. When we walked in we were all in awe of the place and how it looked. I remember binging on the Beatles anthology shows prior to going. I would recommend anyone to visit who is  a fan, you won’t be disappointed. I was also very lucky to play in Hamburg a number of times and play in the famous Indra club. When we were on tour recently, myself and Steve Cradock from Paul Weller’s band were allowed into the basement of the Indra by a friend of ours and seen all the graffiti on the wall that the Beatles left during their time there. It was very special.

 

6. Your website says that in 2011 you collaborated up with Henry McCullough (famous for his 2 year stint playing with Wings and his guitar solo on McCartney’s ballad “My Love”). How did you meet Henry? And how much influence did he have on the song “Look To The One”?
The Vals played some shows with Henry around 2010 and during then we got chatting, got on really well and talked about the possibility of recording something together. I sent Henry a demo of a song called ‘Look to the One’ and much to my surprise he rang me telling me how much he really liked it. We hired a studio in Belfast and recorded Henry’s tracks in one day. I was blown away by how motivated he was in getting the right harmony to sing on the track and finding the right guitar solo that fitted. This was a guy who did it all with the likes of Paul McCartney but yet he had the time to make music with us local lads and was really loving every minute of it.  When Henry finished his parts he came downstairs and patted me on the back and said ‘Great song Paul, that’ll be a hit on the radio’. I felt about 10 feet tall and started to well up. It was a lot coming from someone like Henry. He was right; the song did wonders on radio all over and to this day still does. I put that done to Henry sprinkling his magic on the song.That day in the studio and the other occasions we were together will live long in my memory along with the old Wings stories, his musical knowledge and just the aura he had about him. He was kind, funny and an unassuming legend in my eyes. I loved that when we asked him what his favourite music was he said: ‘It all’. I learned a lot from Henry.7. Tell us the backstory about your Ode to football/soccer, “Pickepackevoll”…
Arnd, a good friend of ours has a very popular football TV show in Germany. We got talking about the show and I went away and wrote Pickepackevoll which is a segment of the show which is very well known where players score funny own goals or gaffes. We went on the show and played it live on national television. It was also used to raise money for a charity aligned with the famous football team Werder Bremen. Arnd brought us into the stadium to watch a game prior to the tv show and they played it in front of all the fans. It was one of the best experiences ever hearing it played in the stadium. Will never forget it. We were touring in Germany around the time of release and had people singing it back to us each night. Diversity is good sometimes!8. The Vals second album, Wildflower Way, was another great album with a very heavy Fab Four feeling to it the songs. But, the song “Suzie Reaches For The Sky” stands out in my mind along with the video that goes along with it. What was the influence for the song?
This is a song that everyone asks what does it mean or who is Suzie ha. Much to peoples amazement it is actually a song about a dog that lived in our street when I was a kid. It was a small dog but used to climb up on the small roof of the owner’s house and bark at soldiers as they passed (Belfast in the 1980s / 90s). I kind of took that idea and worked with it but it kind of took a different direction with the rest of the lyrics so I can see how people can’t see the whole dog story within ha. It has that whole 50’s vibe in places too which I love and grew up listening too. We always enjoy playing this live.9. The Vals have toured extensively, especially doing festivals throughout Europe? What countries have you played in? Do you have a favorite country/festival to play at?
We have been very lucky to play in lots of countries around Europe and take in a lot of experiences of both the audiences there and different cities / towns. It’s hard to pinpoint a favourite country / festival but favourite tour would definitely be a tour we did of Europe with Paul Weller. Paul is a real legend and just being around him and watching him perform every night was amazing. The venues for each were incredible: from the Admiralpalast in Germany to the Bataclan in Paris. We had a little stall after each show selling records and cds and loved chatting to people from each country and making a real connection with them.The festival we enjoyed most recently was the Cathedral Quarter Arts Festival at home here in Belfast where we played alongside our heroes The Zombies! Those guys are incredible and were a joy to be around. That show will live long in the memory.

10. In what country would you say get the best reaction and have the biggest fan base?
I don’t think we have an overly big fan base but I think we are very lucky in having people who enjoy our music spread across the world. This is very humbling. In Germany we have had some really cool experience playing to millions on television there and playing some really great shows. Everytime we go there we get a great reception and it has become a second home almost.

11. Over the years, I’ve expressed to you several times (at least once a year), how much I would love if The Vals came to the U.S. to do a tour so I can see you live and share you with my friends. What’s holding you back from coming? And what do you need to happen to actually make the trip?
It’s always been a dream to come to the U.S. and play. There was an offer to come to New York many years ago which fell through but it is something that is on the list of things we want to do. All we need is a flight to get us there and venue who are willing to have us play. I hope we can sort something real soon!

12. What’s on the horizon for The Vals? And when can we expect a new album?
As mentioned I have built a little studio now so I really hope that I can start putting music out a lot more frequently. Without exaggerating I have collated about 100 songs which I am dying to record so I will have my hands full in the next while. The hope is to have something new out really soon. The songs all vary in style and sound so it always keeps things interesting. I really want to keep rolling songs and albums out as much as possible and continue to play live for as long as possible. It keeps me going.

For more information on The Vals, visit their homepage. You can also follow Paul Doherty on Facebook and Twitter.

To buy/download their music, go to iTunes.

 

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September 30, 2013 · 12:18 pm

Album Review: “Four” by Andrea Perry

a1915268809_2 Damn!  I got suckered by another musician telling me how “Beatle-y” their songs are and that I should listen to their album.  This time, the request came from a musician/producer in Austin, TX named Andrea Perry and her album “Four“.

Hi, I’m a Beatles freak with a new album with several very Beatles influenced songs. I’d love if you’d check it out. <snip> Tracks 4, 5, 13 and 14 are the most Beatle-y. Track 1 maybe too.

Okay Andrea, I’ll be the judge of that!

There is no doubt that there is a ‘Beatle-y’ sound to many of the songs on this album…some listed in Andre’s note to me and some are not.  But, I wonder how many musicians realize that going around proclaiming their music is heavily influenced by the greatest band in the world opens them up to having the entire album put under the microscope by none other than the very neurotic, anally retentive, OCD Beatles fans?  And do you really want to open yourself up to that?  I guess so…

The violins and cellos on the first song ‘My Lover Said’ are what trigger the Beatles-effect right from the get go and this song sets the tone for the album and I think it’s a more Beatles-esques song than – ‘Back Before There Was You’ or ‘While Spinning’.

Now, how does this album stand on its own away from it’s Fab Four fan influence?  Not bad…but there was a song or two where I would have liked to have heard more layered vocals or harmonies because the lyrics seemed to become background noise to the instrumentals.  And though Andrea says that track 5 – ‘While Spinning’ is Beatle-y, it sounds a lot like track 6 – ‘Where Have You Been’. There was also a part of me waiting for this album to climax and I didn’t feel like it quite did that until about track 13 -‘Welcome Home’.

But don’t take my word for it, head over to Andrea Perry‘s website and listen to it for free.  If you like what you hear, the album is only $7 to download!

I’m not going to rate this album because I just don’t think it would be fair.  Yes…heavy Beatles influence.  Yes…the album can stand alone, but has it’s issues.  How would you rate it?

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April 3, 2013 · 4:47 pm

Another great song and video from The Vals

This band still remains one of my favorite current bands and I’m just waiting for them to come to the United States. You can hear the Beatles influence. For more music, news and tour dates please visit http://www.thevals.co.uk

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November 27, 2012 · 6:06 pm

Two new holiday songs for your listening pleasure!

The first is ‘Honey Badger Christmas’ by Cliff Hillis.  Cliff is a huge Beatles fan and is known to cover a song or two in his shows.

The second song is VERY Beatlesque!  It’s ‘Imagine Christmas’ by Alan Bernhoft, the man behind all the Beatlesque CDs.

Enjoy!  And have a safe and happy holiday season!

Jenn

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June 21, 2012 · 1:26 pm

CD Review: Beatlesque Four by Alan Bernhoft

Looks like Alan Bernhoft has done it again with his latest release, Beatlesque Four!

My last review of Beatleseque Three, Alan had begun to recover from a what I thought was a very disappointing Beatlesque Too album.  I think I can safely say, this album is the best of the bunch.

The CD starts out with a catchy, little head-bobbing, Lennon-esque title track, Love Everyone.  This is one of those songs you can imagine every mom wanting to play for their young children.

Another memorable tune is track 9 – My Rolls Royce…a song you can imagine Ringo singing.  Everything from the limited vocal range to the silly lyrics just screams Ringo!

Track 11, I Fly is an amazing tune that really and truly highlights the talents of Alan Bernhoft.  It’s just beautiful with it’s whisp of Beatles influence but not overdone.

Included in this album are three spoken word tracks from the writings of T.S. Dorglesnout.  They’re amusing little ditties fit perfectly in amongst the songs.  Who’s T.S. Dorglesnout?  When you find out, please let me know too!  🙂

This album ends with the song, Captain Anaujiram.  Though me and the good Captain would never share company, they song is amusing!

I don’t want to leave out that Mr. Bernhoft has included a holiday tune on this album called Imagine Christmas.  I must say I’m a fan of it already since I’ve personally had enough of the same-old, same-old holiday tunes every year.  I’d love to see the song distributed to radio stations across the country and be the next big holiday song!

I’m very impressed with this album and enjoyed getting an early copy of it.  The official release date is Saturday, June 23, 2012.  You can sample and buy a digital copy on Amazon.

I rate this CD: 4 out of 4 Beetles

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April 4, 2011 · 10:26 am

CD Review – Beatlesque Three by Alan Bernhoft

Beatlesque Three Beatlesque Three is the third CD by musician/actor Alan Bernhoft.  Alan also works part time as a John Lennon impersonator.

Before breaking into my review of this most recent release, I’ll touch upon my opinions of Alan’s first two attempts at recreating the sound of The Beatles.

 

Beatlesque OneBeatlesque One (which for some reason is missing from my CD collection) was/is an amazing collection of songs that if you’re not paying close enough attention, will make you look up and wonder if you’re listening to some previously unreleased songs from the early days of the Fab Four.  Alan recreates the sound so well, that six of his songs were featured in the mock-umentary “Desperately Seeking Paul McCartney”.  The movie’s director/producer, Marc Cushman remarked about his choice of songwriters, “We couldn’t afford The Beatles’ music, so we got the next best thing- Alan Bernhoft”

Beatlesque TooBeatlesque Two was a bit of a disappointment.  The album starts out great, but soon becomes tedious and monotone.  The lyrics are predictable and one song seems to blend right into the next with no diversity within the album.  It almost seems as if Mr. Bernhoft rushed to make this one.

This brings us back to Beatleseque Three. Alan Bernhoft seems to have gotten his groove back with this album.  It’s a fun album with a great opening song “Sunny Sky”.  Other standout songs are “Bored” and “Chun Li”.  This entire collection of songs once again highlights Alan’s ability to write a full/complete album of great tunes that brings its listener back to a bygone era of fun, peace and love.  And the production is superb!  My fingers are crossed that he will be able to keep up the good work from this and his first album to write Beatlesque Four.

I rate this CD: 3 out of 4 Beetles

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February 10, 2010 · 1:04 pm

Kidz Bop Sings The Beatles

Kidz Bop Sings The Beatles

I’m almost embarrassed to make this my first review, but this CD has been sitting on my to-do pile since I ordered it last month and with it snowing outside, I decided to pop it into my computer and give it a listen while I surf and work.

My first thought is – the instrumental part is very true to the Beatles music. My second thought is – Why?! Why would they put these voices over the music? This album is a mix of what sounds like children’s and women’s voices singing: Can’t buy me love, Here comes the sun, All you need is love, etc. I’ve heard cover bands do better versions of these songs. And when you look at the play list, you realize that there are no songs with questionable lyrics that might be too much young ears and vocabularies.

So all in all…I give this album 1 out of 4 beetles. Go out and buy your children the real thing. Please don’t poison their impression of the Beatles with this worthless collection of covers.

And now…I can get it off my desk!
Rated: 1 out of 4 Beetles Score: 1 out of 4 Beetles

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January 31, 2010 · 8:09 am

An Intro to Beatles-Freak’s reviews

Good Morning, Good Morning…

I know what you’re all asking yourselves.  “Why?  Why are you reviewing pseudo and faux Beatles?”.

That’s a very good question…and believe you me, I’m still asking myself the same question, “Why am I doing this?!”

The best explanation I can give is this:  The Beatles, whether solo or a group, whether presently or in the past, have been reviewed to death!  Those poor boys couldn’t take a shite without someone telling us all what it looked and smelled like.  I really don’t think anyone, including myself, wants another Beatles review blogger.  If you love the Beatles or are a collector, then you already listen to and buy everything they’ve made, recorded or created.  You don’t need me to tell you whether it’s good or not.

Now some Beatles fans are purists.  These are the folks that don’t want to hear remakes or tribute bands performing covers of the songs they love.  In fact, my father-in-law has this same attitude about U.S. national anthem.  It is to be performed exactly as it was written with no room for artistic license.  And god help the popstar that performs the anthem at a major sporting event should they try to get creative.  And I can respect the opinion of the Beatles purists, but it’s not going to stop people from performing their songs.  Why?  Well, from what I’ve heard from many musicians is that the Lennon/McCartney catalog is “fun”.  Just like we listeners are drawn to the Fab Four’s sound, musicians are drawn to playing their songs.

I’m also not a real fan of the people who have worked with, slept with and done business with the Beatles that have all decided that they need to cash in by writing books.  My dislike for this behavior is almost personal – it’s all TMI (too much information) for me.  It’s the music that turns me on, not every little detail of their lives.  And whether it’s the Beatles or sports, I get a bad taste in my mouth when I encounter so-called “experts” and they want to show off their absolute-no-one-knows-more-than-me knowledge of a topic.

This brings me back to the big question – “Why are you doing this?!”  Because if there must be authors and musicians who are going to try to cash in on The Beatles, then I want to try to help others separate the ‘real’ from the ‘hacks’.

“And in the end
The love you take
Is equal to the love you make.”

I hope you enjoy my reviews.

/J

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December 19, 2009 · 1:15 pm

Coming February 1, 2010!

Come back on February 1st to read my first review. In the meantime, feel free to sign-up for an email subscription to Beatles-Freak’s Reviews so you don’t miss a thing! Just enter your email in the box to the right.

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